It’s a little over 2,000 miles from Compton to Nashville, but drop the needle on Keb’ Mo’s captivating new album, Good To Be, and you can make the trip in a cool three-and-a-half-minutes flat.
“I’ve lived in Nashville for the last eleven years,” says Keb’, “but Compton has always been my home. Finding a way to connect those two places on this album was a powerful thing for me. It felt like something I needed to do.”
Written partially in Nashville and partially in the Compton house Keb’ grew up in, Good To Be is a celebration of roots and resilience, of growth and gratitude, of hope and memory. The songs here draw on country, soul, and blues to forge a sound that transcends genre and geography, weaving together past and present into a heartwarming tapestry spanning more than forty years of sonic evolution. Though Keb’ worked with a wide variety of collaborators on the project—country legend Vince Gill produced three tracks, while famed producer Tom Hambridge (B.B. King, Buddy Guy) helmed several more, and special guests like Darius Rucker, Kristin Chenoweth, and Old Crow Medicine Show appear throughout—it remains a deeply cohesive work, one anchored by the five-time GRAMMY winner’s magnetic vocal delivery and relentless optimism. “It’s good to be here / It’s good to be anywhere,” Keb’ sings on the album’s easygoing title track. “It’s good to be back / Good to be home again.”
“I believe that music has the power to heal,” Keb’ explains, “and I wanted this album to make people feel good. I wanted it to bring joy and make them maybe think about where they come from and the journeys that brought them to where they are.”