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High Expectations
Mabelâs debut album, âHigh Expectationsâ: a record - and a state-of-mind, in many ways - that she has worked towards her whole life (even getting the title tattooed phonetically on her neck when she first thought of it two years ago, knowing firmly that it would never change). Still aged just 23 years old, the twice-Brit-nominated artist has already sold over 3.5 million singles in the UK (three platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, âIvy To Rosesâ (which also went silver), Mabel has written with startling candour on young love, identity, girl power, and mental health - topics which are taken to greater heights on âHigh Expectationsâ. And on that road to her first record, Mabelâs music has become a soundtrack â for her impassioned young female fanbase, but also for herself â on how to turn those vulnerabilities into your advantages. âTalking about it really does give you a kind of confidence,ââ Mabel says now, âand thatâs new for me. If youâre really going to make a record that talks to people you have to sit and pick at old wounds â put everything under a microscope. I wouldâve loved that from my heroes when I was kid. That dream of pop stars having a perfect life has gone for our generation.â
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Stripping away musicâs artifice while keeping true to its giddiness and excitement is Mabelâs special gift. Out of some troubling times she has fashioned a sensational, fizzing debut record, a blue-chip British album which can sit proudly on a global stage next to The Weeknd, Ariana, Drake and whatever Queens B and R have in mind for their 2019. In mood, if not exactly in sound, it has some of the complete realisation of early TLC or Aaliyah, had they spent their teenage years in Sweden, Malaga, or the backstreets of West London. The calling card of âHigh Expectationsâ is the brusque, street charm that hides in plain sight among its hooky gloss, and anchors the albumâs core theme of expectations (those as a woman; of love; of others; and ultimately of yourself). âI want to send a positive message to everyone thatâs going to listen to it. Iâve gained so much confidence from writing this album and thatâs what I want people to take away.â
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Stripping away musicâs artifice while keeping true to its giddiness and excitement is Mabelâs special gift. Out of some troubling times she has fashioned a sensational, fizzing debut record, a blue-chip British album which can sit proudly on a global stage next to The Weeknd, Ariana, Drake and whatever Queens B and R have in mind for their 2019. In mood, if not exactly in sound, it has some of the complete realisation of early TLC or Aaliyah, had they spent their teenage years in Sweden, Malaga, or the backstreets of West London. The calling card of âHigh Expectationsâ is the brusque, street charm that hides in plain sight among its hooky gloss, and anchors the albumâs core theme of expectations (those as a woman; of love; of others; and ultimately of yourself). âI want to send a positive message to everyone thatâs going to listen to it. Iâve gained so much confidence from writing this album and thatâs what I want people to take away.â
Mabelâs debut album, âHigh Expectationsâ: a record - and a state-of-mind, in many ways - that she has worked towards her whole life (even getting the title tattooed phonetically on her neck when she first thought of it two years ago, knowing firmly that it would never change). Still aged just 23 years old, the twice-Brit-nominated artist has already sold over 3.5 million singles in the UK (three platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, âIvy To Rosesâ (which also went silver), Mabel has written with startling candour on young love, identity, girl power, and mental health - topics which are taken to greater heights on âHigh Expectationsâ. And on that road to her first record, Mabelâs music has become a soundtrack â for her impassioned young female fanbase, but also for herself â on how to turn those vulnerabilities into your advantages. âTalking about it really does give you a kind of confidence,ââ Mabel says now, âand thatâs new for me. If youâre really going to make a record that talks to people you have to sit and pick at old wounds â put everything under a microscope. I wouldâve loved that from my heroes when I was kid. That dream of pop stars having a perfect life has gone for our generation.â
Â
Stripping away musicâs artifice while keeping true to its giddiness and excitement is Mabelâs special gift. Out of some troubling times she has fashioned a sensational, fizzing debut record, a blue-chip British album which can sit proudly on a global stage next to The Weeknd, Ariana, Drake and whatever Queens B and R have in mind for their 2019. In mood, if not exactly in sound, it has some of the complete realisation of early TLC or Aaliyah, had they spent their teenage years in Sweden, Malaga, or the backstreets of West London. The calling card of âHigh Expectationsâ is the brusque, street charm that hides in plain sight among its hooky gloss, and anchors the albumâs core theme of expectations (those as a woman; of love; of others; and ultimately of yourself). âI want to send a positive message to everyone thatâs going to listen to it. Iâve gained so much confidence from writing this album and thatâs what I want people to take away.â
Â
Stripping away musicâs artifice while keeping true to its giddiness and excitement is Mabelâs special gift. Out of some troubling times she has fashioned a sensational, fizzing debut record, a blue-chip British album which can sit proudly on a global stage next to The Weeknd, Ariana, Drake and whatever Queens B and R have in mind for their 2019. In mood, if not exactly in sound, it has some of the complete realisation of early TLC or Aaliyah, had they spent their teenage years in Sweden, Malaga, or the backstreets of West London. The calling card of âHigh Expectationsâ is the brusque, street charm that hides in plain sight among its hooky gloss, and anchors the albumâs core theme of expectations (those as a woman; of love; of others; and ultimately of yourself). âI want to send a positive message to everyone thatâs going to listen to it. Iâve gained so much confidence from writing this album and thatâs what I want people to take away.â
$14.87
High Expectationsâ
$14.87
Description
Mabelâs debut album, âHigh Expectationsâ: a record - and a state-of-mind, in many ways - that she has worked towards her whole life (even getting the title tattooed phonetically on her neck when she first thought of it two years ago, knowing firmly that it would never change). Still aged just 23 years old, the twice-Brit-nominated artist has already sold over 3.5 million singles in the UK (three platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, âIvy To Rosesâ (which also went silver), Mabel has written with startling candour on young love, identity, girl power, and mental health - topics which are taken to greater heights on âHigh Expectationsâ. And on that road to her first record, Mabelâs music has become a soundtrack â for her impassioned young female fanbase, but also for herself â on how to turn those vulnerabilities into your advantages. âTalking about it really does give you a kind of confidence,ââ Mabel says now, âand thatâs new for me. If youâre really going to make a record that talks to people you have to sit and pick at old wounds â put everything under a microscope. I wouldâve loved that from my heroes when I was kid. That dream of pop stars having a perfect life has gone for our generation.â
Â
Stripping away musicâs artifice while keeping true to its giddiness and excitement is Mabelâs special gift. Out of some troubling times she has fashioned a sensational, fizzing debut record, a blue-chip British album which can sit proudly on a global stage next to The Weeknd, Ariana, Drake and whatever Queens B and R have in mind for their 2019. In mood, if not exactly in sound, it has some of the complete realisation of early TLC or Aaliyah, had they spent their teenage years in Sweden, Malaga, or the backstreets of West London. The calling card of âHigh Expectationsâ is the brusque, street charm that hides in plain sight among its hooky gloss, and anchors the albumâs core theme of expectations (those as a woman; of love; of others; and ultimately of yourself). âI want to send a positive message to everyone thatâs going to listen to it. Iâve gained so much confidence from writing this album and thatâs what I want people to take away.â
Â
Stripping away musicâs artifice while keeping true to its giddiness and excitement is Mabelâs special gift. Out of some troubling times she has fashioned a sensational, fizzing debut record, a blue-chip British album which can sit proudly on a global stage next to The Weeknd, Ariana, Drake and whatever Queens B and R have in mind for their 2019. In mood, if not exactly in sound, it has some of the complete realisation of early TLC or Aaliyah, had they spent their teenage years in Sweden, Malaga, or the backstreets of West London. The calling card of âHigh Expectationsâ is the brusque, street charm that hides in plain sight among its hooky gloss, and anchors the albumâs core theme of expectations (those as a woman; of love; of others; and ultimately of yourself). âI want to send a positive message to everyone thatâs going to listen to it. Iâve gained so much confidence from writing this album and thatâs what I want people to take away.â
















