
Memoir Of A Sparklemuffin
Sukiâs music sounds like a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling. It doubles as a mirror image of her life as a consummate creative, artist, actress, model, and mother, yet it also breaks the glass to unveil raw truth. She leans on an ever-evolving sonic palette to convey what sheâs feelingâwhether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop. Now, the platinum-certified songstress asserts herself as a versatile, vibrant, and vital presence on Memoir of a Sparklemuffin.
Suki brought this body of work to life with the albumâs Executive Producer Eli Hirsch, as well as Jonathan Rado (Weyes Blood, Father John Misty, Beyonce), Cook (Bon Iver, War on Drugs, Snail Mail), Greg Gonzalez (Cigarettes After Sex), Rick Nowels (James Blake, Lana del Rey), and Natalie Findlay and Jules Apollinaire of the band Ttrruuces (with whom she co-wrote âGood Lookingâ and âOMGâ).
She loosely tethered these 18 tracks to a transformative central concept represented by the Sparklemuffin spiderâŠ.
âI came across the Sparklemuffinâwhich is wildly coloured, does this razzle-dazzle dance, and its mate will cannibalize it if she doesnât approve of the dance. Itâs a metaphor for the dance of life weâre all in. The title felt hilarious, ridiculous, and wonderful to me.â
Sukiâs music sounds like a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling. It doubles as a mirror image of her life as a consummate creative, artist, actress, model, and mother, yet it also breaks the glass to unveil raw truth. She leans on an ever-evolving sonic palette to convey what sheâs feelingâwhether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop. Now, the platinum-certified songstress asserts herself as a versatile, vibrant, and vital presence on Memoir of a Sparklemuffin.
Suki brought this body of work to life with the albumâs Executive Producer Eli Hirsch, as well as Jonathan Rado (Weyes Blood, Father John Misty, Beyonce), Cook (Bon Iver, War on Drugs, Snail Mail), Greg Gonzalez (Cigarettes After Sex), Rick Nowels (James Blake, Lana del Rey), and Natalie Findlay and Jules Apollinaire of the band Ttrruuces (with whom she co-wrote âGood Lookingâ and âOMGâ).
She loosely tethered these 18 tracks to a transformative central concept represented by the Sparklemuffin spiderâŠ.
âI came across the Sparklemuffinâwhich is wildly coloured, does this razzle-dazzle dance, and its mate will cannibalize it if she doesnât approve of the dance. Itâs a metaphor for the dance of life weâre all in. The title felt hilarious, ridiculous, and wonderful to me.â
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$5.53Description
Sukiâs music sounds like a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling. It doubles as a mirror image of her life as a consummate creative, artist, actress, model, and mother, yet it also breaks the glass to unveil raw truth. She leans on an ever-evolving sonic palette to convey what sheâs feelingâwhether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop. Now, the platinum-certified songstress asserts herself as a versatile, vibrant, and vital presence on Memoir of a Sparklemuffin.
Suki brought this body of work to life with the albumâs Executive Producer Eli Hirsch, as well as Jonathan Rado (Weyes Blood, Father John Misty, Beyonce), Cook (Bon Iver, War on Drugs, Snail Mail), Greg Gonzalez (Cigarettes After Sex), Rick Nowels (James Blake, Lana del Rey), and Natalie Findlay and Jules Apollinaire of the band Ttrruuces (with whom she co-wrote âGood Lookingâ and âOMGâ).
She loosely tethered these 18 tracks to a transformative central concept represented by the Sparklemuffin spiderâŠ.
âI came across the Sparklemuffinâwhich is wildly coloured, does this razzle-dazzle dance, and its mate will cannibalize it if she doesnât approve of the dance. Itâs a metaphor for the dance of life weâre all in. The title felt hilarious, ridiculous, and wonderful to me.â
















