After establishing the Serebii project with several albums’ worth of trancing neo-soul, much of it done in collaboration with fellow New Zealander Arjuna Oakes, Callum Mower had no lack of confidence in his musical abilities.

But much of Mower’s focus in the past was on instruments and production—swirling, cinematic instrumentals under his own name or funky art-pop jams with others on vocals.

On Dime, however, Mower knew he wanted to push forward with his own singing placed center stage.