
Futuristic Sounds Of Sun Ra, The (Vinyl)
Engineered by Paul Cady, the sessions featured nine players, including Ra on piano, Bernard McKinney (later known as Kiane Zawadi, on trombone and euphonium), Marshall Allen (alto sax, flute, among other reed instruments), John Gilmore (tenor sax, bass clarinet), Pat Patrick (bass saxophone), Ronnie Boykins (bass), Willie Jones (drums), Leah Ananda (conga), and Ricky Murray (vocals).
Recorded in just one day, on October 10, 1961, The Futuristic Sounds of Sun Ra featured 11 tracks. Among the selections is the Latin-influenced opener, âBassism,â the bluesy âOf Sounds and Something Else,â and the aptly named, âWhatâs That?,â which breaks into a four-saxophone improvisation, stands out as an example of Raâs early experimental work.
Â
Engineered by Paul Cady, the sessions featured nine players, including Ra on piano, Bernard McKinney (later known as Kiane Zawadi, on trombone and euphonium), Marshall Allen (alto sax, flute, among other reed instruments), John Gilmore (tenor sax, bass clarinet), Pat Patrick (bass saxophone), Ronnie Boykins (bass), Willie Jones (drums), Leah Ananda (conga), and Ricky Murray (vocals).
Recorded in just one day, on October 10, 1961, The Futuristic Sounds of Sun Ra featured 11 tracks. Among the selections is the Latin-influenced opener, âBassism,â the bluesy âOf Sounds and Something Else,â and the aptly named, âWhatâs That?,â which breaks into a four-saxophone improvisation, stands out as an example of Raâs early experimental work.
Â
Description
Engineered by Paul Cady, the sessions featured nine players, including Ra on piano, Bernard McKinney (later known as Kiane Zawadi, on trombone and euphonium), Marshall Allen (alto sax, flute, among other reed instruments), John Gilmore (tenor sax, bass clarinet), Pat Patrick (bass saxophone), Ronnie Boykins (bass), Willie Jones (drums), Leah Ananda (conga), and Ricky Murray (vocals).
Recorded in just one day, on October 10, 1961, The Futuristic Sounds of Sun Ra featured 11 tracks. Among the selections is the Latin-influenced opener, âBassism,â the bluesy âOf Sounds and Something Else,â and the aptly named, âWhatâs That?,â which breaks into a four-saxophone improvisation, stands out as an example of Raâs early experimental work.
Â
















