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Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65 (Oxblood & Gold Vinyl)
First official anthology of Lou Reedâs work for Pickwick Records 1964-1965
Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITAâs critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reedâs Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).
One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972âs Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist)
for Pickwick Recordsâa label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reedâs output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.
The album has been restored and remastered by GRAMMYÂŽ-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets).
⢠Features rarities, cult classics (The Primitivesâ âThe Ostrichâ), & previously unreleased material (The Beachnutsâ âSad, Lonely Orphan Boyâ)
⢠Produced in partnership with Laurie Anderson and the Lou Reed Archive
⢠20-page LP book/40-page CD book featuring unseen photos and essays by Lenny Kaye & Richie Unterberger
⢠Remastered by GRAMMYŽ-nominated engineer John Baldwin
⢠Art Direction & Design by multi-GRAMMYŽ-winning artist Masaki Koike at Phyx Design
⢠2xLP pressed at Optimal
Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITAâs critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reedâs Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).
One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972âs Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist)
for Pickwick Recordsâa label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reedâs output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.
The album has been restored and remastered by GRAMMYÂŽ-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets).
⢠Features rarities, cult classics (The Primitivesâ âThe Ostrichâ), & previously unreleased material (The Beachnutsâ âSad, Lonely Orphan Boyâ)
⢠Produced in partnership with Laurie Anderson and the Lou Reed Archive
⢠20-page LP book/40-page CD book featuring unseen photos and essays by Lenny Kaye & Richie Unterberger
⢠Remastered by GRAMMYŽ-nominated engineer John Baldwin
⢠Art Direction & Design by multi-GRAMMYŽ-winning artist Masaki Koike at Phyx Design
⢠2xLP pressed at Optimal
First official anthology of Lou Reedâs work for Pickwick Records 1964-1965
Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITAâs critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reedâs Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).
One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972âs Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist)
for Pickwick Recordsâa label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reedâs output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.
The album has been restored and remastered by GRAMMYÂŽ-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets).
⢠Features rarities, cult classics (The Primitivesâ âThe Ostrichâ), & previously unreleased material (The Beachnutsâ âSad, Lonely Orphan Boyâ)
⢠Produced in partnership with Laurie Anderson and the Lou Reed Archive
⢠20-page LP book/40-page CD book featuring unseen photos and essays by Lenny Kaye & Richie Unterberger
⢠Remastered by GRAMMYŽ-nominated engineer John Baldwin
⢠Art Direction & Design by multi-GRAMMYŽ-winning artist Masaki Koike at Phyx Design
⢠2xLP pressed at Optimal
Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITAâs critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reedâs Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).
One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972âs Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist)
for Pickwick Recordsâa label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reedâs output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.
The album has been restored and remastered by GRAMMYÂŽ-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets).
⢠Features rarities, cult classics (The Primitivesâ âThe Ostrichâ), & previously unreleased material (The Beachnutsâ âSad, Lonely Orphan Boyâ)
⢠Produced in partnership with Laurie Anderson and the Lou Reed Archive
⢠20-page LP book/40-page CD book featuring unseen photos and essays by Lenny Kaye & Richie Unterberger
⢠Remastered by GRAMMYŽ-nominated engineer John Baldwin
⢠Art Direction & Design by multi-GRAMMYŽ-winning artist Masaki Koike at Phyx Design
⢠2xLP pressed at Optimal
$66.66
Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65 (Oxblood & Gold Vinyl)â
$66.66
Description
First official anthology of Lou Reedâs work for Pickwick Records 1964-1965
Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITAâs critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reedâs Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).
One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972âs Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist)
for Pickwick Recordsâa label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reedâs output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.
The album has been restored and remastered by GRAMMYÂŽ-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets).
⢠Features rarities, cult classics (The Primitivesâ âThe Ostrichâ), & previously unreleased material (The Beachnutsâ âSad, Lonely Orphan Boyâ)
⢠Produced in partnership with Laurie Anderson and the Lou Reed Archive
⢠20-page LP book/40-page CD book featuring unseen photos and essays by Lenny Kaye & Richie Unterberger
⢠Remastered by GRAMMYŽ-nominated engineer John Baldwin
⢠Art Direction & Design by multi-GRAMMYŽ-winning artist Masaki Koike at Phyx Design
⢠2xLP pressed at Optimal
Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Donât You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITAâs critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reedâs Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).
One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972âs Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist)
for Pickwick Recordsâa label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reedâs output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.
The album has been restored and remastered by GRAMMYÂŽ-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets).
⢠Features rarities, cult classics (The Primitivesâ âThe Ostrichâ), & previously unreleased material (The Beachnutsâ âSad, Lonely Orphan Boyâ)
⢠Produced in partnership with Laurie Anderson and the Lou Reed Archive
⢠20-page LP book/40-page CD book featuring unseen photos and essays by Lenny Kaye & Richie Unterberger
⢠Remastered by GRAMMYŽ-nominated engineer John Baldwin
⢠Art Direction & Design by multi-GRAMMYŽ-winning artist Masaki Koike at Phyx Design
⢠2xLP pressed at Optimal
